“Our stories are not well known. While we make films that travel internationally, our reach has never been so big,” Nayfeh added. “Now that it is available for the public, anywhere, in any country, at any time, it’s a huge achievement for Palestinian filmmakers.”
Nayfeh wrote and directed “The Crossing,” a 10-minute short film included in the collection. The film is based on the true story that happened to him and his siblings at an Israeli checkpoint while they were trying to visit their sick grandfather, who lived on the other side of the wall in the occupied Palestinian territory.
In the film, the family was nearly denied entry despite receiving the necessary permits to cross the
controversial barrier along the West Bank.
“Since the wall was built, we were cut off from the part of our family on the other side of the wall in occupied territory,” Nayfeh said. “This bought a lot of painful and traumatic memories to me and thousands of families in Palestine.”
‘Now people can know the truth’
In May, an already tense situation worsened, prompted by moves to displace Palestinian families from their homes in East Jerusalem near the Old City. Protests over the possible evictions exploded at one of the holiest sites in the city, known to Muslims as the Noble Sanctuary and to Jews as the Temple Mount.
As Palestinian demonstrators threw rocks at police, Israeli forces entered the Al Aqsa mosque, Islam’s third holiest site, firing stun grenades at protesters and worshipers.
For nearly two decades after the founding of the State of Israel in 1948, the Israeli-Palestinian conflict has led to Palestinians suffering limited autonomy in Gaza and parts of the West Bank, while Israel maintains control
of all borders and security.
“It’s not a conflict. I’m living under occupation, I’m not in conflict with anyone. I am being occupied, I’m being oppressed, I’m being harassed, ethnically cleansed, and this is far from being in conflict,” Nayfeh said. “People like placing the same responsibility equally on both sides and this is a huge injustice to us Palestinians.”
But Nayfeh says he believes strongly in the power of storytelling, and the launch of Netflix’s “Palestinian Stories” collection brings him “a lot of hope.”
“Finally we feel, I wouldn’t call it justice, but a difference in the international reaction to our part of the world and what is happening to us,” he continued.
Other award-winning titles included in the collection are “A Man Returned” by Mahdi Fleifel, “Like 20 Impossibles” by Annemarie Jacir, and “It Must Be Heaven” by Elia Suleiman.
“The diversification of our content sits close to my heart as Netflix works to become the home of Arabic Cinema, a place where anyone in the world can access great Arab stories,” Nuha El Tayeb, the director of content acquisitions, MENAT at Netflix, said
in a press release.
“While these stories are distinctly and authentically Arab, the themes are quintessentially human, and will resonate with audiences across the world. That is the true beauty of storytelling.”
Many of the stories shed light on the brutal realities of life in the occupied Palestinian territories under Israeli rule or what it’s like living in Palestinian refugee camps, but the films are also about love, comedy, and the pride of being Palestinian.
“I hope these films will raise awareness,” Nayfeh said. “Many people say they don’t know what’s happening, well now you have access to so many titles that are telling the story in different styles, documentaries, shorts, and feature films. Now people can know the truth. It’s a huge thing.”